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Thus, the final act that brings down the Park era comes across as being quite matter-of-fact. Straight-on shots of skulls being crushed and men being torn limb from limb are interspersed with ruminations on class relations in Confucian society, and applications of Western and Eastern science as a means of solving the film's central mystery.

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With climate and trees perfectly suited for papermaking -- and a location remote enough to ensure both privacy and secrecy -- the island has established a profitable business in high quality paper, with trade routes stretching as far away as China.

Her obsession to make up for her past failings with Cho-won lead her to virtually ignore the needs of the rest of her family, which succeeds in driving them away emotionally and physically.

Darcy Paquet Blood Rain Blood Rain, set intakes place on a small island with a technologically advanced for its time paper mill. Initially, Hong is polite and demure to the point of idiocy against Yu-rim's lecherous advances, which quickly runs the gamut between workplace sexual harassment to outright date rape.

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This method of fortune-telling appears to have been invented by Kim, though possibly inspired by the common practice of dropping a dart onto a spinning disc The film opens in striking fashion with a shot of the weapon that inspired the film's title.

The townspeople, for their part, are convinced that the dead man's ghost has come back for revenge.

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I personally wish Director Im had gotten rid of all the CGI "horror" effects and simply focused on Dong-hyun's character, exploring, Scorsese- or Herzog-style, his grand, foolhardy obsession and the ultimate abyss it leads into.

They are athletes in how they exploit, to create a word working off Pierre Bourdieu's use of "social capital", their kinesthetic capital, that is, the physical resources afforded them by their youthful bodies.

It demonstrates how easily something that is completely false can be built up on the flimsiest of evidence to become what seems to be true. As color slowly starts to bleed into the frame, we hear a voiceover by the main character Sun-woo: Since in-line skating is also a technology, I was expecting a similar narrative use of this mechanical technology as Jeong afforded the computerized technology of cell-phones.

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When the second half emerges from the audience filing out of the short film we just saw along with them, we see the actress of the character in the short film, also named Young-sil, walking out and then we see Tong-su talking on his cell phone.

Despite the high expectation, however, the movie had a disappointing domestic run, contributing to the latest industry wagging about the decline of so-called star power in Korean cinema. These scenes don't really add much depth to the human characters, but they characterize the "society" of the boat itself.

It is from here that the misspelled Korean title of the movie originated. After he takes third place in a 10km marathon, Dating a bong girl mother sets her goals for her son to run a full km marathon in under four hours. When asked by a swimming instructor if she has any wish for herself, she replies that she wishes to die a day after Cho-won.

Lighting and sound design are superbly done, however, working with the muted, toned down palette and showing admirable restraint in illustrating the presence of the supernatural. He pointed to his goofy internet short Dazimawa Lee as much more in keeping with his innate style.

Vengeancereunited from Oldboy, had an even tougher job in Lady Vengeance, as it includes more shifts in color and tone, beginning with the slightly garish and jaundicedly "warm" chromatic scheme for earlier sequences.

But that, similar to what I wrote about the inferior film Looking for Bruce Lee Kang Lone,would seem too much like rationalizing a greater significance out of this film than is justified.

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To explain the film's strengths without spoiling its content is difficult. And repetition of this single image underscores the repetition of single banal moments in Hong's films. Moreover, performances of the theatrically trained actors here are truly excellent.

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But if Song betrayed the spirit of the omnibus project, he remained true to the needs of his film. Ryoo's portrayal of Sang-hwan which incidentally is the same name of the characters he played in Arahan and Die Bad is a perfect embodiment of caged fury.

Not only have this pair of shoes apparently performed wholly unnecessary amputation surgeries on the select individuals foolish enough to don them, they also become objects of unhealthy obsession for the ballet-dancing tyke Tae-soo.

Red Shoes has one of these groan-inducing, utterly redundant Final Twists, revealed a good five minutes after the film's emotional climax has been reached.

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Many have viewed Last Bang as a bit of character assassination aimed at the late President Park. Perhaps in defiance of Korean critics who, after watching A Tale of Two Sisters, accused Kim of having a foot fetish, the director introduces his striking lead actress Shin Min-ah with a huge shot of her bare feet.

The complacent thoughts that drifted into my brain in first 35 minutes about which direction this movie was likely headed were rudely betrayed to my pleasant surprise, I must say by what happened next.

We get a strong sense of the aimlessness and desperation he feels, but this also makes the middle sections of the film somewhat tiring to watch. Despite his status as a veteran director, Park has always shown a youthful glee in poking at society's sore spots.